We are delighted to announce the Exposure Award returns for 2021. Partnering with Modern Eye for the third consecutive year, PHOTOFAIRS set up the Exposure Award to support photo-based artists truly pushing the boundaries of the photographic medium and are innovators in their technique, concept and approach. Set up in 2019, the Award has celebrated photographic artists working on the edges of the medium, helping to ensure groundbreaking work continues to be created.
Aiming to bring more opportunities to an emerging galley and one of their chosen artists, we give the recipient a complimentary 20sqm stand at PHOTOFAIRS 2021, Shanghai Exhibition Center, 23 - 26 September, 2021. Hoping to provide a transformative experience for one gallery and artist through the annual fair in China’s art-driven city, PHOTOFAIRS will also promote the recipient through digital content with international reach via its online platform.
The gallery and their winning artist will be chosen through a free open call - submissions are open now and close May 2021. Those making experimental work relevant to our contemporary society that makes us question the world and our place within it are encouraged to apply. View the full checklist before applying below.
How to apply:
- Short description of your solo artist stand proposal
- Have a full list of your represented artists
- Write a brief history (around 500 words) of the gallery
- Tell us about your gallery: what exhibitions have you staged this past year and / or the following year?
- Include a list of all planned/confirmed fair participations for 2021 and 2022
- Add a CV of the artist you’re proposing to exhibit
- 5 small jpgs (each at least 800 pixels wide and 72 dpi) of works by the proposed artist. Please ensure that these are properly labelled with full image captions
Please refer to the application form for the full checklist. To discover more information and apply click here.
If you have any questions please email firstname.lastname@example.org and we will be delighted to discuss any details with you. The Exposure Award is generously powered by Modern Eye.
Applications are judged by an expert panel of individuals - all leading voices in their sphere of expertise within the photography industry. View this year’s judges below. We are grateful to this year’s judges, each a leading voice in the photography industry, for their time, expertise and insight. The individuals making up this year's judging panel bring an exciting range of knowledge from wide and varied backgrounds in the medium.
Cao Dan, President of MODERN ART and Publisher of The Art Newspaper China and LEAP
Dan is a senior art journalist, curator and documentary film director. In the early 1990s, she worked as the Creative Director of Guangdong White Horse Advertising Co., Ltd. From 1998 to 2012, she lived in Paris and engaged with art, design and documentary. From 2012 to 2017, she acted as the publisher of two authoritative art publications: The Art Newspaper China and LEAP. At the beginning of 2018 she founded ARTEMISIA, a program committed to interdisciplinary collaborations aiming to promote the connection and interaction between the public, corporations and art. In 2019 she was appointed the President of Modern Art (Modern Media Group) and Publisher of The Art Newspaper China and LEAP.
Eve Schillo, Assistant Curator, Wallis Annenberg Photography Department, Los Angeles County Museum of Art (LACMA)
Schillo curates exhibitions for galleries dedicated to modern art and photography from America, Latin America and Japan. She’s worked on a range of displays during her tenure at LACMA, subjects include Cuban photography after the Revolution; the Pictorialist movement; the multimedia self-portraits by author and artist William S. Burroughs; plus the still and moving imagery by artists Katy Grannan and Charlie White.
Recent projects include a retrospective of Mexican photographer Mariana Yampolsky; This Is Not a Selfie; Sarah Charlesworth: Doubleworld; Larry Sultan: Here and Home; and Road Trip: Photography and the American West. Currently, her exhibition Golden Hour: California Photography from LACMA is on tour until 2022. Her long-term areas of interest include Photographic Abstraction, Latin American practitioners, time-based media, and the (as yet unbranded) New Futurists.
Lisa Springer, Photography Curator, V&A
Springer is photography curator with wide expertise ranging from the history of photographic exhibitions to international contemporary fine art practice. She has worked in several major European museums over the past eight years and since 2019 has been Curator of Touring Photography Exhibitions at the V&A, London, where she leads the program of special displays touring to China. Springer also contributes to exhibitions at the V&A Photography Centre and works as part of a curatorial team responsible for one of the world’s most significant photography collections.
Before joining the V&A, Lisa was the Manager of the prestigious Prix Pictet Photography Award. She ran the ambitious global touring exhibitions program for four years, collaborating with 50 leading photographers and 31 international venues.
She studied Art History and Cultural Studies in Hildesheim and Paris before being awarded a coveted place on the two-year training programme for photography curators run by the Alfried Krupp von Bohlen and Halbach Foundation, Germany. During that time, she contributed to numerous exhibitions at the Fotomuseum (Munich), the Kupferstich Kabinett (Dresden), Museum Folkwang (Essen), plus the V&A, London. Projects included Paul Strand: Photography and Film for the 20th Century (V&A, 2016), Robert Capa: War Photographs 1943-1945 (Kupferstich Kabinett, 2015) and (Mis)Understanding Photography – Works and Manifestos (Folkwang Museum, 2015).
Lisa acts as an invited juror and portfolio reviewer at international events and has written essays for a number of exhibition catalogues, books and magazines.
Isabella Tam, Associate Curator, M+ Hong Kong
Tam is the Associate Curator of M+, a visual culture museum in Hong Kong. Her major curatorial areas of expertise include the M+ Sigg Collection of Chinese contemporary art, a core collection to the museum, as well as photography in East Asia and beyond.
Tam’s curated exhibitions include the Sigg Prize 2019, the online project Mapping Sigg Collection (2019), Canton Express (2017) and M+ Sigg Collection: Four Decades of Chinese Contemporary Art (2016). She has also contributed to exhibitions including Mobile M+: Inflation! (2013) and Song Dong: 36 Calendars (2012). Prior to joining M+, she served as an Assistant Curator of the Hong Kong Visual Arts Center and a Curatorial Fellow at the Whitechapel Gallery in London.